Beschreibung
Queer Intercultural Communication helps to expand the field of queer studies to consider cultural difference and how it affects everyday communication across the globe. Authoritative essays present cases of LGTBQ people in and across race, ethnicity, gender, culture, nation, and bodies.
Autorenportrait
Shinsuke Eguchi is Associate Professor of Intercultural Communication in the Department of Communication and Journalism at the University of New Mexico. Their research interests focus on global and transcultural studies, queer of color critique, race, gender and intersectionality, Asian/Pacific/American studies, and performance studies. Their mostly recent work has appeared for publication inCritical Studies in Media Communication,Popular Communication,Howard Journal of Communication,Departures in Critical Qualitative Research, andJournal of Homosexuality.
Bernadette Marie Calafellis Inaugural Department Chair and Professor of Critical Race and Ethnic Studies at Gonzaga University. Her research is focused on queer of color theories, women of color feminisms, critical rhetoric, performance studies, and monstrosity. She is author ofMonstrosity, Performance, Race in Contemporary CultureandLatina/o Communication Studies: Theorizing Performance.
Inhalt
Acknowledgments
Introduction - Reorienting Queer Intercultural Communication
Shinsuke Eguchi, University of New Mexico
Bernadette Marie Calafell, Gonzaga University
Theme 1: Relationalities
Chapter 1- Relationalities in/through Difference: Explorations in Queer Intercultural Communication
Gust A. Yep, San Francisco State University
Fatima Zahrae Chrifi Alaoui, San Francisco State University
Ryan M. Lescure, San Francisco State University
Chapter 2- Revisiting a Letter for Someday: Writing Toward a Queer Iranian Diasporic Potentiality
Shadee Abdi, San Francisco State University
Chapter 3 - Embracing the Criminal: Queer and Trans Relational Liberatory Pedagogies
Benny LeMaster, Arizona State University
Meggie Mapes, University of Kansas
Chapter 4 - Chinese Top, British Bottom: Becoming a Gay Male Internet Celebrity in China
Tianyang Zhou, University of Sussex
Theme 2: Spatialities
Chapter 5 -Calaveras,Calacas, and Cultural Production: The Queer Politics of Brown Belonging at U.S. Día de Los Muertos Celebrations
Megan Elizabeth Morrissey, University of North Texas
Chapter 6 - Aint My First Rodeo in Homonormative Whiteness:Queer Intercultural Lessons from the International Gay Rodeo Community
Dawn Marie D. McIntosh, Independent Scholar
Chapter 7 - Intercultural Queer Slippages and Translations
Ahmet Atay, College of Wooster
Chapter 8 - Queerly Ambivalent: Navigating Global and Local Normativities in Postcolonial Ghana
Godfried Asante, Drake University
Theme 3: Praxis and Social Justice
Chapter 9 - How Queer (of Color) is Intercultural Communication? Then and There,Joteríathe Game as a Praxis of Queerness, Advocacy, and Utopian Aesthetics
Robert Gutierrez-Perez, University of Nevada, Reno
Luis Manuel Andrade, Santa Monica College
Chapter 10 - Queerying Race, Culture and Sex: Examining HIV Pre-Exposure Prophylaxis (PrEP) Social Marketing for African American and Latinx Gay and Bisexual Men
Andrew Spieldenner, California State University San Marcos
Deion Hawkins, Emerson College
Chapter 11- (Re)defining Boundaries and The Politics of Belonging in the film Pariah
Sheena Howard, Rider University
Chapter 12 - Mobilizing Allies for Black Transgender Women: Digital Stories, Intersectionality, and #SayHerName
Nicole Files-Thompson, Lincoln University
Melina McConatha, Lincoln University
Chapter 13 - Dialoguing About the Nexus of Queer Studies and Intercultural Communication
Bernadette Marie Calafell, Gonzaga University
Thomas K. Nakayama, Northeastern University
Closing Thoughts - The Future of Queer Intercultural Communication
Shinsuke Eguchi, University of New Mexico
Sophie Jones, University of New Mexico
Hannah Long, University of New Mexico
Anthony Rosendo Zariñana, University of New Mexico
Informationen zu E-Books
„E-Book“ steht für digitales Buch. Um diese Art von Büchern lesen zu können wird entweder eine spezielle Software für Computer, Tablets und Smartphones oder ein E-Book Reader benötigt. Da viele verschiedene Formate (Dateien) für E-Books existieren, gilt es dabei, einiges zu beachten.
Von uns werden digitale Bücher in drei Formaten ausgeliefert. Die Formate sind EPUB mit DRM (Digital Rights Management), EPUB ohne DRM und PDF. Bei den Formaten PDF und EPUB ohne DRM müssen Sie lediglich prüfen, ob Ihr E-Book Reader kompatibel ist. Wenn ein Format mit DRM genutzt wird, besteht zusätzlich die Notwendigkeit, dass Sie einen kostenlosen Adobe® Digital Editions Account besitzen. Wenn Sie ein E-Book, das Adobe® Digital Editions benötigt herunterladen, erhalten Sie eine ASCM-Datei, die zu Digital Editions hinzugefügt und mit Ihrem Account verknüpft werden muss. Einige E-Book Reader (zum Beispiel PocketBook Touch) unterstützen auch das direkte Eingeben der Login-Daten des Adobe Accounts – somit können diese ASCM-Dateien direkt auf das betreffende Gerät kopiert werden.
Da E-Books nur für eine begrenzte Zeit – in der Regel 6 Monate – herunterladbar sind, sollten Sie stets eine Sicherheitskopie auf einem Dauerspeicher (Festplatte, USB-Stick oder CD) vorsehen. Auch ist die Menge der Downloads auf maximal 5 begrenzt.