Music is a vital instrument in attracting new audiences to silent cinema as well as renewing the interest of an already-initiated public. In this collection, chapters by practitioners as well as scholars capture the magic experience of silent film with music, and discuss from varying points of view how music meets this resurfaced film art.

K.J.Donnelly is Reader in Film Studies at the University of Southampton, UK. He is author of Occult Aesthetics: Synchronization in Sound Film (2014), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001), and editor of Film Music: Critical Approaches (2001), co-editor of Music in Video Games: Studying Play (2013) and Music in Science Fiction Television (2012). AnnKristin Wallengren is Professor in Film Studies, Lund University, Sweden. Her research embraces questions about film and national and cultural identity, representation, ideology and transnationality, as well as on different aspects of film music. She has recently published Welcome Home Mr Swanson: Swedish Emigrants and Swedishness in Film and, together with K.J.Donnelly, a special issue of Music and the Moving Image about the psychology of film music.